The November/December issue of frieze is dedicated to artists and writers living and working in the American South. Jamey Hatley profiles Suzanne Jackson as she prepared for her much-anticipated solo show at Ortuzar Projects in New York. Plus, contributing writer Edna Bonhomme pens a thematic essay on the Caribbean diaspora in Miami.

Profile: Suzanne Jackson
‘Jackson’s pieces seem to change and morph before your eyes, exposing layers of found materials both manufactured and from the natural world.’ The artist looks back on her journey from Alaska to Savannah, weaving a rich tapestry of community building and artistic innovation.

Thematic Essay: Memories of Miami
‘Beneath the art-world glamour are stories of place and belonging interlaced with tragedy.’ Edna Bonhomme reflects on the economic and architectural changes of her hometown, depicted through art and film.

Also featuring
Curators Kevin W. Tucker and Valerie Oliver Cassell speak to the ways the American South is leveraged by the art world in a wide-ranging conversation about the region. In ‘1,500 Words,’ writer and artist L. Kasimu Harris examines the legacies of photography of the American South. Plus, a roundtable discussion between Christian Ðinh, Tuan Mami, Tuan Andrew Nguyen and Arlette Quynh-Anh Tran which looks at the Vietnamese diaspora in the South.

Columns: Lay of the Land
Bryn Evans interviews Allison Janae Hamilton on the longstanding links between Blackness and geography in her practice; Jonas N.T. Becker uses photography to demystify extractivism in Appalachia; Lois Taylor Biggs highlights Marshallese navigation practices, tracing the community’s displacement in Northwest Arkansas due to US nuclear testing. Tanner Adell speaks with associate editor Marko Gluhaich about the storytelling potential of country music. Plus, Andrea Andersson outlines how Imani Jacqueline Brown and Jeremy Toussaint-Baptiste’s works visualize disappearing landscapes in Southeastern Louisiana.

Finally, on the occasion of Hannah Chalew’s Prospect.6 presentation, Louis Bury revisits her 2020 drawing Embodied Emissions. Plus, Suzanne Jackson contributes to our series of artists’ ‘to-do’ lists and senior editor Terence Trouillot pens a postcard from Santo Domingo.

The leading magazine of contemporary art and culture. Published eight times a year, frieze includes essays, reviews and columns by today’s most forward-thinking writers, artists and curators.

Frieze is a media and events company that comprises three publications, frieze magazine, Frieze Masters Magazine and Frieze Week; and four international art fairs, Frieze London, Frieze LA, Frieze New York and Frieze Masters; regular talks and summits, led by frieze editors; and frieze.com - the definitive resource for contemporary art and culture.

History
Frieze was founded in 1991 by Amanda Sharp, Matthew Slotover and Tom Gidley with the launch of frieze magazine, a leading magazine of contemporary art and culture.

Sharp and Slotover established Frieze London in 2003, one of the world’s most influential contemporary art fairs which takes place each October in The Regent’s Park, London. In 2012, Frieze launched Frieze New York taking place in May; and Frieze Masters, which coincides with Frieze London in October and is dedicated to art from ancient to modern. In 2019, Frieze opened its first edition in Los Angeles at Paramount Pictures Studios, taking place in February.

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