Forward by Peter Doig. Texts by David Adjaye, Carol Becker, Okwui Enwezor, Cameron Shaw, and Kara Walker. Interview with the artist by Thelma Golden
Chris Ofili’s intricately constructed works, combining beadlike dots of paint, collaged images from popular media, and elephant dung, create a unique iconography that marries African artistic and ritual practices with Western art historical traditions and contemporary hip-hop culture.
This beautifully designed book, made in close collaboration with the artist, is the first to examine Ofili’s artistic development and surveys his work in watercolor, graphite drawing, and sculpture.
Literary and historical parallels from a formidable list of contributors explore the ways through which the artist has grasped his times with a palpable sense of history.
Since the mid-1990s, Chris Ofili has become well known for his vibrant, technically complex, and meticulously executed paintings and works on paper.
While his early works were predominantly abstract, involving intricate patterns and colors, he has since developed a signature figurative style that bridges the gap between the sacred and the profane, and by extension, between high art and popular culture.
His works center around the relationship between form and content: often using several layers of paint, resin, glitter, collage elements, and occasionally, elephant dung, Ofili enlists sexual, cultural, historical, and religious references to create uniquely aesthetic and physical works that expose the darker undercurrents of society, while also celebrating contemporary black culture.
Drawing on a wide range of sources—from “blaxploitation” movies, the Bible, jazz and hip hop music, comic books, Zimbabwean cave paintings, and the works of artist and poet William Blake—Ofili’s subject matter frequently employs racial stereotypes in order to challenge and reinterpret them.
Peso: 2 Kg